Merge branch 'master' of https://git.mahdi.blog/mahdi/mahdi.blog.git
This commit is contained in:
commit
16cda467ae
@ -4,6 +4,7 @@ title: "flamingos-iran"
|
||||
date: 2019-11-03
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: Iran
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "christmas-day-homeless-man-church"
|
||||
date: 2019-12-26
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: Homeless man at church
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "sightings-from-a-dream-5"
|
||||
date: 2020-12-22
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: Sightings from a dream
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "clouds-among-rocks"
|
||||
date: 2021-01-01
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: Killarney National Park
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "the-night-has-descended-on-us"
|
||||
date: 2021-01-10
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: The Night Has Descended On Us
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "god-will-pardon-me"
|
||||
date: 2021-01-28
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: God will pardon me
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "girl-among-grains"
|
||||
date: 2021-06-29
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: Girl among grains, Austerlitz
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "punk-gangster"
|
||||
date: 2021-08-20
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: Punk gangster!
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "et-les-extremes-se-touchent"
|
||||
date: 2021-08-21
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: Et les extremes se touchent
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "girl-eye-flowers-1"
|
||||
date: 2021-08-21
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: A narration
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "the-right-way-is-the-untrodden"
|
||||
date: 2021-08-29
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: The right way
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "milan-cathedral"
|
||||
date: 2021-12-23
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: Milan Cathedral
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "on pelican"
|
||||
date: 2022-07-07
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: Sailing on Pelican
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "woman-walking"
|
||||
date: 2022-09-12
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: Uganda
|
||||
---
|
||||
|
||||
|
||||
|
||||
@ -4,6 +4,7 @@ title: "romeo-red"
|
||||
date: 2022-11-27
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: "Gig at Workman's Cellar"
|
||||
---
|
||||
|
||||
|
||||
|
||||
13
_art/2023-01-30-iran-girl-2.md
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13
_art/2023-01-30-iran-girl-2.md
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@ -0,0 +1,13 @@
|
||||
---
|
||||
layout: post
|
||||
title: "iran-girl-2"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
|
||||
<span class='image-details'>
|
||||
Iran has always been a girl
|
||||
</span>
|
||||
13
_art/2023-01-30-iran-girl-3.md
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13
_art/2023-01-30-iran-girl-3.md
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@ -0,0 +1,13 @@
|
||||
---
|
||||
layout: post
|
||||
title: "iran-girl-3"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
|
||||
<span class='image-details'>
|
||||
Iran has always been a girl
|
||||
</span>
|
||||
13
_art/2023-01-30-iran-girl-4.md
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13
_art/2023-01-30-iran-girl-4.md
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@ -0,0 +1,13 @@
|
||||
---
|
||||
layout: post
|
||||
title: "iran-girl-4"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
|
||||
<span class='image-details'>
|
||||
Iran has always been a girl
|
||||
</span>
|
||||
13
_art/2023-01-30-iran-girl-5.md
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13
_art/2023-01-30-iran-girl-5.md
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@ -0,0 +1,13 @@
|
||||
---
|
||||
layout: post
|
||||
title: "iran-girl-5"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
<video src="/img/arts/iran-was-a-girl.mp4" controls playsinline></video>
|
||||
|
||||
<span class='image-details'>
|
||||
Iran has always been a girl
|
||||
</span>
|
||||
13
_art/2023-01-30-iran-girl-6.md
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13
_art/2023-01-30-iran-girl-6.md
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@ -0,0 +1,13 @@
|
||||
---
|
||||
layout: post
|
||||
title: "iran-girl-6"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
|
||||
<span class='image-details'>
|
||||
Iran has always been a girl
|
||||
</span>
|
||||
14
_art/2023-01-30-iran-girl.md
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14
_art/2023-01-30-iran-girl.md
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@ -0,0 +1,14 @@
|
||||
---
|
||||
layout: post
|
||||
title: "iran-girl"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: Iran has always been a girl
|
||||
---
|
||||
|
||||
|
||||
|
||||
<span class='image-details'>
|
||||
Iran has always been a girl
|
||||
</span>
|
||||
13
_art/2023-04-19-amsterdam-2.md
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13
_art/2023-04-19-amsterdam-2.md
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@ -0,0 +1,13 @@
|
||||
---
|
||||
layout: post
|
||||
title: "Amsterdam"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
|
||||
<span class='image-details'>
|
||||
Amsterdam
|
||||
</span>
|
||||
13
_art/2023-04-19-amsterdam-canal.md
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13
_art/2023-04-19-amsterdam-canal.md
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@ -0,0 +1,13 @@
|
||||
---
|
||||
layout: post
|
||||
title: "amsterdam-canal"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
|
||||
<span class='image-details'>
|
||||
Amsterdam
|
||||
</span>
|
||||
9
_art/2023-04-19-amsterdam-monument.md
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9
_art/2023-04-19-amsterdam-monument.md
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@ -0,0 +1,9 @@
|
||||
---
|
||||
layout: post
|
||||
title: "amsterdam-monument"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
13
_art/2023-04-19-amsterdam.md
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13
_art/2023-04-19-amsterdam.md
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@ -0,0 +1,13 @@
|
||||
---
|
||||
layout: post
|
||||
title: "Amsterdam"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
|
||||
<span class='image-details'>
|
||||
Amsterdam
|
||||
</span>
|
||||
10
_art/2023-04-19-boots.md
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10
_art/2023-04-19-boots.md
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@ -0,0 +1,10 @@
|
||||
---
|
||||
layout: post
|
||||
title: "boots"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
|
||||
9
_art/2023-04-19-mannequin.md
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9
_art/2023-04-19-mannequin.md
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@ -0,0 +1,9 @@
|
||||
---
|
||||
layout: post
|
||||
title: "mannequin"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
9
_art/2023-04-19-windmill-inner.md
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9
_art/2023-04-19-windmill-inner.md
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@ -0,0 +1,9 @@
|
||||
---
|
||||
layout: post
|
||||
title: "windmill-inner"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
9
_art/2023-04-19-windmill.md
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9
_art/2023-04-19-windmill.md
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@ -0,0 +1,9 @@
|
||||
---
|
||||
layout: post
|
||||
title: "windmill"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
9
_art/2023-04-20-banksy.md
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9
_art/2023-04-20-banksy.md
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@ -0,0 +1,9 @@
|
||||
---
|
||||
layout: post
|
||||
title: "banksy"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
13
_art/2023-04-20-death-bed.md
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_art/2023-04-20-death-bed.md
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@ -0,0 +1,13 @@
|
||||
---
|
||||
layout: post
|
||||
title: "death-bed"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
|
||||
<span class='image-details'>
|
||||
Peaceful
|
||||
</span>
|
||||
10
_art/2023-04-20-death-kick.md
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10
_art/2023-04-20-death-kick.md
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@ -0,0 +1,10 @@
|
||||
---
|
||||
layout: post
|
||||
title: "death-kick"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
|
||||
9
_art/2023-04-20-dont-believe-in-god.md
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9
_art/2023-04-20-dont-believe-in-god.md
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@ -0,0 +1,9 @@
|
||||
---
|
||||
layout: post
|
||||
title: "dont-believe-in-god"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
|
||||
10
_art/2023-04-20-heads.md
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10
_art/2023-04-20-heads.md
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@ -0,0 +1,10 @@
|
||||
---
|
||||
layout: post
|
||||
title: "heads"
|
||||
date: 2023-01-30
|
||||
categories: art
|
||||
author: Mahdi
|
||||
anchor: Amsterdam
|
||||
---
|
||||
|
||||
|
||||
@ -547,3 +547,10 @@
|
||||
year={1987},
|
||||
publisher={New Science Library/Shambhala Publications}
|
||||
}
|
||||
|
||||
@book{asbaghi1988persische,
|
||||
title={Persische Lehnw{\"o}rter im Arabischen},
|
||||
author={Asbaghi, Asya},
|
||||
year={1988},
|
||||
publisher={Harrassowitz}
|
||||
}
|
||||
|
||||
@ -43,5 +43,6 @@
|
||||
alert('Got a message from the other tab:\n' + message.data);
|
||||
});
|
||||
</script>
|
||||
<script data-goatcounter="https://mahdi.goatcounter.com/count" async src="//gc.zgo.at/count.js"></script>
|
||||
</head>
|
||||
|
||||
|
||||
@ -335,7 +335,7 @@ Article 2, states:
|
||||
> Everyone is entitled to all the rights and freedoms set forth in this
|
||||
Declaration, without distinction of any kind, such as race, colour, sex,
|
||||
language, religion, political or other opinion, national or social origin,
|
||||
property, birth or other status. > Furthermore, no distinction shall be made on
|
||||
property, birth or other status. Furthermore, no distinction shall be made on
|
||||
the basis of the political, jurisdictional or international status of the
|
||||
country or territory to which a person belongs, whether it be independent,
|
||||
trust, non-self-governing or under any other limitation of sovereignty.
|
||||
|
||||
@ -286,8 +286,9 @@ Examples:
|
||||
4. <span class='pahlavi'>nvMajX_G</span> (mâhmân): a guest, a visitor, one who
|
||||
is entertained; as adjective satisfied, pleased, gratified, agreeable,
|
||||
welcome; مهمان.
|
||||
5. <span class='pahlavi'>nntG</span> (Mitra): the name of an Yazat: Meher Yazad;
|
||||
5. <span class='pahlavi'>nntG</span> (Mitrâ): the name of an Yazat: Meher Yazad;
|
||||
presiding over light, also over faith, friendship and contracts; مهر.
|
||||
6. <span class='pahlavi'>nwpntx</span> (mitrâpân): kind; مهربان.
|
||||
|
||||
# <span class='pahlavi'>t</span>
|
||||
|
||||
@ -609,7 +610,7 @@ intelligence, the Angel or personification of the good mind, Behman Ameshaspend;
|
||||
بهمن.
|
||||
|
||||
<span class='pahlavi'>tGynpF</span> (spend-armat): name of an Amesha-spenta who
|
||||
has special charge of the Earth and women: sometimes it is the mother Eart, it
|
||||
has special charge of the Earth and women: sometimes it is the mother Earth, it
|
||||
is also the name of the 12th month of the year and also the fifth day of the
|
||||
month of Zoroastrian Calendar; اسفند، اسپندارمد.
|
||||
|
||||
|
||||
82
_posts/2023-01-06-is-life-beautiful.md
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82
_posts/2023-01-06-is-life-beautiful.md
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@ -0,0 +1,82 @@
|
||||
---
|
||||
layout: post
|
||||
title: "Is Life Beautiful?"
|
||||
subtitle: "آیا زندگی زیباست؟"
|
||||
date: 2023-01-06 00:00:00
|
||||
permalink: is-life-beautiful/
|
||||
categories: personal
|
||||
author: Mahdi
|
||||
published: false
|
||||
excerpt_separator: <!--more-->
|
||||
---
|
||||
|
||||
Is life beautiful? I ask this from people and gather the responses here, I hope
|
||||
to reflect on it later with my own thoughts. Responses from different people are
|
||||
grouped by a separating line.
|
||||
|
||||
---
|
||||
|
||||
I love when life stuff gets you so much it becomes funny and it feels like a
|
||||
mystery or quest to solve
|
||||
|
||||
Or it has lots of cute moments in between of those quests
|
||||
|
||||
The feeling you get when you find like-minded people
|
||||
|
||||
The taste of food after you've been hungry
|
||||
|
||||
A good coffee with chocolate while you read in the morning
|
||||
|
||||
Sunrises/sunsets
|
||||
|
||||
Kids with their pure hearts and genuine interest to life
|
||||
|
||||
Sea/mountain air
|
||||
|
||||
Generally air in the morning
|
||||
|
||||
Feeling of a completed task
|
||||
|
||||
Or feeling right after you cleaned up and sorted out things
|
||||
|
||||
Interesting books
|
||||
|
||||
Melodies and listening to your body reactions
|
||||
|
||||
Jumping, laughing
|
||||
|
||||
Cows
|
||||
|
||||
These are cute
|
||||
|
||||
Potatoes
|
||||
|
||||
BATHS WITH BUBBLES
|
||||
|
||||
BUBBLES ITSELF
|
||||
|
||||
Genuine kids smile when they see bubbles
|
||||
|
||||
Or how dogs react when they see themselves for the first time in the mirror
|
||||
|
||||
----
|
||||
|
||||
ChatGPT:
|
||||
|
||||
Life can be beautiful, but it can also be difficult and challenging. It is a mix of good and bad experiences, and it is up to each individual to find the beauty in it. Some people may find the beauty in simple things like spending time with loved ones or enjoying nature, while others may find it in achieving their goals or overcoming obstacles. The perception of beauty is different for everyone.
|
||||
|
||||
It is true that life has its own share of ups and downs, but one can always choose to have a positive outlook and try to find the beauty in life. But also it's important to mention that it's okay to not find life beautiful at some moments, it's normal to have difficult times, and feeling sadness, anger, or frustration, is human. Is important to be honest with your feelings, and look for support, and help if needed.
|
||||
|
||||
In summary, life can be beautiful, but it depends on one's perspective and how they choose to view it.
|
||||
|
||||
----
|
||||
|
||||
![/img/grumpy-cat-no.jpg]
|
||||
|
||||
I'm in love with a person who is far away but I want to be with her every
|
||||
moment. Life is suffering, but in spite of the suffering, gotta live. Life can surprise you.
|
||||
|
||||
----
|
||||
|
||||
{% fa %}
|
||||
{% endfa %}
|
||||
44
_posts/2023-02-27-zaban-va-farhang.md
Normal file
44
_posts/2023-02-27-zaban-va-farhang.md
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@ -0,0 +1,44 @@
|
||||
---
|
||||
layout: post
|
||||
title: "درآمیختگی زبان و فرهنگ"
|
||||
date: 2023-02-27 00:00:00
|
||||
permalink: zaban-va-farhang/
|
||||
lang: fa
|
||||
categories: language
|
||||
author: Mahdi
|
||||
---
|
||||
|
||||
هنگامی که از پارسیگویی با دوستانم سخن میگویم، پرسشی که بسیار آورده میشود، «چرا» است. این پرسش بجا است، برای همین در این نوشته میکوشم از دید خودم پاسخی به این پرسش بدهم.
|
||||
|
||||
نخست، نیاز میدانم که روشن کنم چه چیزهایی از دید من پاسخی بر این چرایی نیستند. گاهی زمانی که در مورد پارسیگویی گفتگو میشود، برخی گمان میبرند این از روی «برتر» داستند زبان پارسی به دیگر زبانهاست؛ ولی از دید من اینگونه ترازبندی زبانها از پایه چالشبرانگیز است، زبانها برتر از دیگر نیستند، و بر در همین سو، زبان پارسی هم برتر از زبان عربی، ترکی، فرانسوی یا دیگر زبانهایی که با آنها آمیخته شده نیست.
|
||||
|
||||
در همین سو، انگیزه زدایش همهی واژههای ناسره از پارسی روزانه نیست. من گمان نمیکنم که در هیچ هنگامی در آینده، در این جهانی درآمیخته در هم، زبانی بتواند سراسر «سره» بماند. زبانها با هم درآمیخته میشوند و این بخشی سرشتین از فرایند رویش آنهاست.
|
||||
|
||||
پس چرا؟
|
||||
|
||||
انگیزهی من از کوشش برای بازیابی زبان پارسی سره، بدست آوردن دیدی به فرهنگ و زندگی گذشتگانمان است. زبان و فرهنگ بسیار با هم درآمیخته هستند، و دگرش یکی از آنها، در دیگری نمان میشود. برای روشن شدن این سخن، چند نمونه از درآمیختگی و دگرش زبان و فرهنگ و زندگی مردمان در کنار هم را با هم میخوانیم.
|
||||
|
||||
## هند و پرچم زرپرانی
|
||||
|
||||
|
||||
|
||||
پرچم هند را اگر ببینیم به چشم، بیشترمان میگوییم این پرچم از رنگهای نارنگی، سپید و سبز ساخته شده، ولی با نگاهی به سرگذشت رنگ نارنگی، نکتهی داستان را خواهیم گرفت.
|
||||
|
||||
رنگ نارنگی، که در زبانهای هندی-اروپایی نامش از ریشهی بسیار کهن «nāraṅgamu» کنادایی گرفته شده، در درازای زمان جایگزین واژهی دیگری شد که برای نشانکردن این رنگ بکار برده میشد: زرپران.
|
||||
|
||||
پیش از آنکه واژهی نارنگی به زبانهایی چون انگلیسی برسد، و برای
|
||||
نشانکردن این رنگ بکار برود، این رنگ را رنگ «زرپرانی» یا در زبانهای
|
||||
گوناگون با واژههای بدست آمده از آن چون زعفران (عربی)، safranum (لاتین)،
|
||||
azafrán (اسپانیایی) و saffron (انگلیسی) نشان میکردند.
|
||||
{% cite asbaghi1988persische %}
|
||||
|
||||
ازینرو، رنگ پرچم هند نارنگی نیست، چرا که زرپرانیاست، ولی با گذشت زمان، با جایگزین شدن واژهی نارنگی بجای واژهی زرپران، از آنجایی که رنگ زرپران با رنگ نارنگ کمی گوناگونی دارد، دید مردم دربارهی رنگ پرچم هم دگرگون شد، و مردم پرچم هند را در بسیاری از کشورها، به رنگ نارنگی میشناسند.
|
||||
|
||||
این نمونهایست از هُنایش زبان بر فرهنگ و دید ما به جهان، چرا که زبان ابزاریست برای دستهبندی جهان، تا بتوانیم آن را آسان تر دریابیم و برای همسو شدن در دریافتمان از پیرامونمان آن را بکار میبریم. با دگرش واژهی بکار برده شده برای نشاندن یک رنگ، میتوان رنگ بکار برده شده در جهان را دگرگون کرد. پندارید که اگر همچنان رنگ زرپرانی بجای رنگ نارنگی در فرهنگهای ما بود، میتوانیم گمان کنیم که رنگهای بکار برده شده در پوشاک، بستهبندیها، ماشینها و همهچیز گونهی دیگری میبود.
|
||||
|
||||
|
||||
# سرچشمهها
|
||||
|
||||
{% bibliography --cited %}
|
||||
|
||||
|
||||
@ -268,6 +268,15 @@ pre {
|
||||
src: url(fonts/mononoki-Regular.woff);
|
||||
}
|
||||
|
||||
@font-face {
|
||||
font-family: Gandom;
|
||||
src: url(fonts/Gandom-FD.eot);
|
||||
src: url(fonts/Gandom-FD?#iefix) format('embedded-opentype'),
|
||||
url(fonts/Gandom-FD.woff) format('woff'),
|
||||
url(fonts/Gandom-FD.woff2) format('woff2'),
|
||||
url(fonts/Gandom-FD.ttf) format('truetype');
|
||||
}
|
||||
|
||||
@font-face {
|
||||
font-family: Sahel;
|
||||
src: url(fonts/Sahel.eot);
|
||||
|
||||
@ -1,3 +1,7 @@
|
||||
html {
|
||||
scroll-behavior: smooth;
|
||||
}
|
||||
|
||||
body {
|
||||
background: #FFF7EC;
|
||||
height: auto;
|
||||
@ -141,6 +145,11 @@ strong {
|
||||
.share-page {
|
||||
direction: ltr;
|
||||
}
|
||||
|
||||
.bibliography {
|
||||
direction: ltr;
|
||||
text-align: left;
|
||||
}
|
||||
}
|
||||
|
||||
.post-content .heading-link {
|
||||
@ -238,6 +247,21 @@ hr {
|
||||
opacity: 0;
|
||||
}
|
||||
|
||||
.side-anchors {
|
||||
margin: 1rem;
|
||||
vertical-align: middle;
|
||||
|
||||
ul {
|
||||
list-style-type: '- ';
|
||||
margin-left: 1.5rem;
|
||||
}
|
||||
|
||||
.meta {
|
||||
font-size: 0.8rem;
|
||||
margin-right: 0.5rem;
|
||||
}
|
||||
}
|
||||
|
||||
.notice {
|
||||
background-color: #80c4d5;
|
||||
padding: 1rem 2rem;
|
||||
|
||||
27
art.html
27
art.html
@ -12,6 +12,30 @@ layout: default
|
||||
</p>
|
||||
</div>
|
||||
|
||||
<div class='side-anchors'>
|
||||
<details open>
|
||||
<summary>Highlights</summary>
|
||||
<ul>
|
||||
{% for post in site.art reversed %}
|
||||
{% if post.published == false %}
|
||||
{% continue %}
|
||||
{% endif %}
|
||||
{% if post.anchor == nil %}
|
||||
{% continue %}
|
||||
{% endif %}
|
||||
<li>
|
||||
<a href='#{{ post.title }}'>
|
||||
<span class='meta'>
|
||||
{{ post.date | date: "%Y" }}
|
||||
</span>
|
||||
{{ post.anchor }}
|
||||
</a>
|
||||
</li>
|
||||
{% endfor %}
|
||||
</ul>
|
||||
</details>
|
||||
</div>
|
||||
|
||||
<ul class="post-list">
|
||||
{% for post in site.art reversed %}
|
||||
{% if post.published == false %}
|
||||
@ -27,6 +51,9 @@ layout: default
|
||||
</p>-->
|
||||
|
||||
<article class='post-content'>
|
||||
{% if post.anchor %}
|
||||
<span id='{{ post.title }}'></span>
|
||||
{% endif %}
|
||||
{{ post.content | markdownify }}
|
||||
</article>
|
||||
</li>
|
||||
|
||||
BIN
css/fonts/Gandom-FD.eot
Normal file
BIN
css/fonts/Gandom-FD.eot
Normal file
Binary file not shown.
BIN
css/fonts/Gandom-FD.ttf
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css/fonts/Gandom-FD.ttf
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BIN
css/fonts/Gandom-FD.woff
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css/fonts/Gandom-FD.woff
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BIN
css/fonts/Gandom-FD.woff2
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css/fonts/Gandom-FD.woff2
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@ -4,7 +4,7 @@
|
||||
@charset "utf-8";
|
||||
|
||||
// Our variables
|
||||
$base-font-family: 'Nunito', 'Sahel', Open Sans, sans-serif;
|
||||
$base-font-family: 'Nunito', 'Gandom', Open Sans, sans-serif;
|
||||
$head-font-family: 'Secular One', sans-serif;
|
||||
$base-font-size: 12pt;
|
||||
$small-font-size: $base-font-size * 0.875;
|
||||
|
||||
BIN
img/Flag_of_India.png
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|
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img/arts/iran-was-a-girl.mp4
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img/arts/nikon-fm/amsterdam-2.jpg
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|
After Width: | Height: | Size: 942 KiB |
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img/arts/nikon-fm/amsterdam-canal.jpg
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img/arts/nikon-fm/amsterdam-canal.jpg
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|
After Width: | Height: | Size: 1.1 MiB |
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img/arts/nikon-fm/amsterdam-monument.jpg
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|
After Width: | Height: | Size: 1.1 MiB |
BIN
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|
After Width: | Height: | Size: 972 KiB |
BIN
img/arts/nikon-fm/banksy.jpg
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BIN
img/arts/nikon-fm/banksy.jpg
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|
After Width: | Height: | Size: 849 KiB |
BIN
img/arts/nikon-fm/boots.jpg
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BIN
img/arts/nikon-fm/boots.jpg
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|
After Width: | Height: | Size: 918 KiB |
BIN
img/arts/nikon-fm/death-bed.jpg
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BIN
img/arts/nikon-fm/death-bed.jpg
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|
After Width: | Height: | Size: 876 KiB |
BIN
img/arts/nikon-fm/death-kick.jpg
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BIN
img/arts/nikon-fm/death-kick.jpg
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|
After Width: | Height: | Size: 843 KiB |
BIN
img/arts/nikon-fm/dont-believe-in-god.jpg
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BIN
img/arts/nikon-fm/dont-believe-in-god.jpg
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|
After Width: | Height: | Size: 834 KiB |
BIN
img/arts/nikon-fm/heads.jpg
Normal file
BIN
img/arts/nikon-fm/heads.jpg
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|
After Width: | Height: | Size: 870 KiB |
BIN
img/arts/nikon-fm/mannequin.jpg
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BIN
img/arts/nikon-fm/mannequin.jpg
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|
After Width: | Height: | Size: 712 KiB |
BIN
img/arts/nikon-fm/windmill-inner.jpg
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BIN
img/arts/nikon-fm/windmill-inner.jpg
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|
After Width: | Height: | Size: 833 KiB |
BIN
img/arts/nikon-fm/windmill.jpg
Normal file
BIN
img/arts/nikon-fm/windmill.jpg
Normal file
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|
After Width: | Height: | Size: 930 KiB |
BIN
img/grumpy-cat-no.jpg
Normal file
BIN
img/grumpy-cat-no.jpg
Normal file
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|
After Width: | Height: | Size: 105 KiB |
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|
After Width: | Height: | Size: 376 KiB |
BIN
img/snippets/maquettes-de-theatre-4.jpeg
Normal file
BIN
img/snippets/maquettes-de-theatre-4.jpeg
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|
After Width: | Height: | Size: 91 KiB |
BIN
img/snippets/paikese-suudlus.jpeg
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BIN
img/snippets/paikese-suudlus.jpeg
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|
After Width: | Height: | Size: 121 KiB |
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img/snippets/sheet-29.jpeg
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|
After Width: | Height: | Size: 120 KiB |
131
snippets.md
131
snippets.md
@ -11,6 +11,11 @@ Short snippets of thought. Ramblings. Random shite.
|
||||
|
||||
----
|
||||
|
||||
[The Cab Ride I'll Never
|
||||
Forget](https://kentnerburn.com/the-cab-ride-ill-never-forget/)
|
||||
|
||||
----
|
||||
|
||||
[Memento
|
||||
Civitatem](https://www.nationalgallery.ie/art-and-artists/exhibitions/memento-civitatem-alice-maher-and-jamie-murphy)
|
||||
|
||||
@ -35,6 +40,31 @@ On Neurodiversity: Dyslexia is not a disorder if society doesn’t depend on rea
|
||||
|
||||
----
|
||||
|
||||
{% fa %}
|
||||
برای تو و خویش<br />
|
||||
چشمانی آرزو میکنم<br />
|
||||
که چراغها و نشانهها را در ظلماتمان ببیند<br />
|
||||
گوشی<br />
|
||||
که صداها و شناسهها را در بیهوشیمان بشنود<br />
|
||||
برای تو و خویش<br />
|
||||
روحی<br />
|
||||
که اینهمه را در خودگیرد و بپذیرد<br />
|
||||
و زبانی<br />
|
||||
که در صداقت خود ما را از خاموشی خویش بیرون کشد<br />
|
||||
و بگذارد از آن چیزها که در بندمان کشیدهاست سخن بگوییم<br />
|
||||
{% endfa %}
|
||||
|
||||
For Yourself and I<br/>
|
||||
I wish for eyes, that can see the lights and signs in our darkness.<br />
|
||||
Ears, that can hear the sounds and signals in our negligence<br />
|
||||
For yourself and I,<br />
|
||||
I wish for a soul, that can accept and embrace all of this,<br />
|
||||
And a tongue,<br />
|
||||
That with its honesty, can pull us out of our silence,<br />
|
||||
And allow us to speak of all the things that hold us captive.<br />
|
||||
|
||||
----
|
||||
|
||||
Pieces from Austerlitz:
|
||||
“As I think of how little we can hold in mind, how everything is constantly lapsing into oblivion with every extinguished life, how the world is, as it were, draining itself, in that the history of countless places and objects which themselves have no power of memory is never heard, never described or passed on”
|
||||
|
||||
@ -58,6 +88,12 @@ Pieces from Austerlitz:
|
||||
|
||||
-----
|
||||
|
||||
Paikese suudlus (1917) by Oskar Kallis
|
||||
|
||||
|
||||
|
||||
-----
|
||||
|
||||
"What if some day or night, a demon were to steal after you into your loneliest loneliness and say to you: "This life as now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence--even this spider and this moonlight between the trees, and even this moment and I myself. The eternal hourglass of existance is turned upside down again and again, and you with it, speck of dust!" Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him: "You are a god and never have I heard anything more divine." If this thought gained possession of you, it would change you as you are, or perhaps crush you." - Nietzsche
|
||||
|
||||
-----
|
||||
@ -607,6 +643,13 @@ Wastebasket.
|
||||
|
||||
----
|
||||
|
||||
|
||||
Sheet 29 (Blatt 29), Oskar Fischer, 1919
|
||||
|
||||
|
||||
|
||||
----
|
||||
|
||||
More and more he went running to the public house. But it was no longer to be among men, it was to get drunk. One might imagine him sitting there thinking those slow thoughts without words. One might predict that the day would come when we would realise very suddenly, very clearly, all that he had been thinking about, and, when this urgent, terrible thought had been translated into its own terms of action, he would be quietly hanged by the neck until he was as dead as he had been before he was alive.
|
||||
|
||||
- The Blind Man, James Stephens
|
||||
@ -934,6 +977,80 @@ head down on the table.
|
||||
|
||||
----
|
||||
|
||||
Arabic Lullaby
|
||||
|
||||
{% fa %}
|
||||
دلول دلول یا ولد یا ابنی دلول<br />
|
||||
عدوک علیل و ساکن الچول<br />
|
||||
یا الولد یما الولد یما الولد<br />
|
||||
للکبر نریده المچیده<br />
|
||||
لیشیل المحامل و طریده<br />
|
||||
فرگه الولد فرگه مچیده<br />
|
||||
یما یا الولد یا غالی الثمان<br />
|
||||
یا الولد یما الولد یسما الولد یما الولد<br />
|
||||
نص اللیل حد بالنوم فزه<br />
|
||||
یما عدالی بحضنی<br />
|
||||
لیت الزه
|
||||
{% endfa %}
|
||||
|
||||
Daloul daloul! The boy, my son, daloul! (1)<br/>
|
||||
Your enemy is weak and lives in the desert (2)<br />
|
||||
The boy, mommy! The boy, the boy, mommy! The boy,<br />
|
||||
We want him for our old age, for the time of hardship<br />
|
||||
For carrying loads and the hunted meat (3).<br />
|
||||
Separation from the son is a very sad separation.<br />
|
||||
Mommy! The boy, my dear child,<br />
|
||||
In the mid night somebody has awoken him.<br />
|
||||
Mommy! Though he is in my arms,<br />
|
||||
I wish I could chase that person away.<br />
|
||||
|
||||
(1) Daloul in the local Arabic dialect means "my lovely", "my sweetheart" or
|
||||
"fondness".<br />
|
||||
(2) A very far unreachable flat place.<br />
|
||||
(3) Hunted animals.
|
||||
|
||||
https://www.mamalisa.com/?t=ec&c=67
|
||||
|
||||
----
|
||||
|
||||
[Mahdi Saki - ... Means Mother](https://www.youtube.com/watch?v=iAzNyEO-OFk)
|
||||
|
||||
Arabic:
|
||||
|
||||
{% fa %}
|
||||
بلیل جستنی الحنینه<br />
|
||||
و ادموعها ایبخن الچیمه<br />
|
||||
امی الضمد و اخوی شیمه<br />
|
||||
<br />
|
||||
اوصیچ یا شمس المسیتی<br />
|
||||
الوالده عیدی وصیتی<br />
|
||||
انه غریبه و طرف بیتی<br />
|
||||
{% endfa %}
|
||||
|
||||
Persian:
|
||||
|
||||
{% fa %}
|
||||
شب آن بانوی مهربان به دیدنم آمد<br />
|
||||
و اشکهایش بر کانون آتش میریخت<br />
|
||||
مادرم، مونس است و برادرم، عزت و افتخار<br />
|
||||
|
||||
ای خورشیدی که غروب کردهای<br />
|
||||
پیغامم را برای مادرم ببر<br />
|
||||
که من غریبم و خانهام دور<br />
|
||||
{% endfa %}
|
||||
|
||||
English:
|
||||
|
||||
At night, that kind lady came to visit me,<br />
|
||||
Her teardrops were falling into the fireplace,<br />
|
||||
My mother is my companion and my brother, my esteem and honor<br />
|
||||
|
||||
O' sun you have set,<br />
|
||||
Take this message to my mother:<br />
|
||||
I am estranged and my home is far<br />
|
||||
|
||||
----
|
||||
|
||||
On marriage:
|
||||
|
||||
We excerpted "The Irrational Season" for ours:
|
||||
@ -1004,6 +1121,20 @@ W. Somerset Maugham
|
||||
|
||||
[Georgism](https://en.wikipedia.org/wiki/Georgism)
|
||||
|
||||
----
|
||||
|
||||
Geometria et Perspectiva Pl 03 (1567) Lorenz
|
||||
Stoer
|
||||
|
||||
|
||||
|
||||
----
|
||||
|
||||
Maquettes de Theatre 4 (1930) Alexandra Exter
|
||||
|
||||
|
||||
|
||||
|
||||
----
|
||||
|
||||
Theocles, proposes that the best candidate for the constant good that they are seeking is genuine
|
||||
|
||||
Loading…
Reference in New Issue
Block a user